Statement
In my artistic research, I emphasize the process and act of artistic creation, while the artwork is the result of that process, not the goal.
I do not see a work of art as a finished, unchanging object (although it retains objectivity), but as an open, changing system that includes change, a temporal dimension, as well as external circumstances such as space.
The material I use is often unstable and takes shape through the process of working. In the end, it can even be destroyed, so the most important element of the work is the process of creation and the atmosphere that arises from it.
I allow the tool, the material, and the space, or rather insist that, by their very nature, they actively and equally participate in creation. Through this interaction, the process of creation becomes more dynamic and active. The surprises that arise are sometimes pleasant, sometimes not, sometimes they agree, and sometimes they do not with my conscious will and intention. In any case, they very intensely influence and shape the further course of the work. Accordingly, each installation is unique and unrepeatable. And since the documentation of the work is not the same as the work itself, the experience of encountering the work becomes important and replaces the work as a material object.