This work of art is first and foremost an accumulation of enormous, spent energy, which has been spent and stacked, and stacked, and stacked over time. Prints are duplicated to the limits of the paper's durability. Energy is the physical energy used for imprinting, endless repetition as well as mental, concentration each time applying paint adjusting pressure, leaving a mark. The awareness of the duration associated with life and the intention, which is particularly interesting, to continue this decades-long process as one life cycle leaves this work with three points, as something that will last. Radomir Knežević Full professor at the Faculty of Fine Arts in Belgrade



